A Compelling Plot
At many law schools around the country, the deluge of the hiring season has arrived: job talks, dinners, interviews, oh my.
I actually kind of enjoy the opportunity to read articles I wouldn’t otherwise consider opening and there are worse things than sharing a meal with a candidate at Zahav (try the crispy haloumi cheese) or Amada (pulpo a la gallega!).
That said, there are moments when the whole process begins to grate on me, particularly when it comes to probing the character and disposition of the candidate. You know you’re in trouble when you begin to find your own questions nit-picky and inane.
Indeed, this week, I noticed myself asking a question that I’m not at all sure that I care about concerning the “common thread” tying together a person’s various projects, positions, and pursuits.
Why did I ask this question? Was it because other faculty members seem to ask it (or one of its cousins) with startling regularity or because I’d fielded “tell us what the theme is” questions many times when I was on the market?
Perhaps, but that doesn’t seem like a sound excuse. I think the question is only really justified if people with a consistent narrative trajectory actually turn out to better professors (that is, more productive academics, stronger teachers, and more collegial colleagues).
Maybe that’s true and maybe it’s not. (I’m very curious to hear what others think.)
Certainly, there is a danger that those whose paths through life have been circuitous and multidimensional will end up being dilettantes and dabblers, nipping about the edges of issues and never producing any seriously-engaged work—or, worse still, that such folks will lose interest in being legal academics altogether (either pre- or post-tenure). However, there seems to be an equal danger that a person with a very convincing “theme” answer may prove to be limited and narrow, unable to adapt to a changing legal landscape and lacking in the creativity and broad curiosity to make a significant and novel impact on the field. In addition, such a person may have little interest (or ability) in offering comments on colleagues’ work that doesn’t directly overlap with her own.
Next job talk perhaps I’ll ask the candidate why they always write on the same topic and why they never got an MFA in poetry . . .